Thomas Huber

Publications

Thomas Huber, Lago Maggiore, 2023

MASI Lugano, Skopia art contemporain, 160 pages, 90 colour images, format: 22 × 28 cm, Hardcover, d./fr./ita.

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Lago Maggiore

Laudatio, Barbara Köhler – Thomas Huber, 2021

On the occasion of the award of the Spycher: Literaturpreis Leuk to Barbara Köhler 2007, Thomas Huber (ed.); Verlag der Buchhandlung Walther und Franz König, 56 pages, illustrations, 22 × 24.2 cm.

Thomas Huber, Das Geistige und die Kunst, 2021

Kunsthalle Bremen, 172 pages, also includes »von Blau zu Rot, eine Wandlung«, with an afterword by Christoph Grunenberg (PDF of the publication)

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Vis-à-Vis

Ohne Titel, 2020

Experiences with the arts 1955–2018. Publisher: Thomas Huber, 222 pages with black and white illustrations, German, octavo format, softcover. Edition: 200 copies. (PDF of the publication)

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Without title

Thomas Huber: extase, 2017

Jean-Paul Felley; Olivier Kaeser (Hg.), Centre culturel suisse, Les presses du réel, Paris 2016, format: 36 × 27,5 cm, 189 pages, 15 special editions with a watercolour drawing.

Am Horizont / On the Horizon, 2016

Thomas Huber, Kunstmuseum Bonn. Stephan Berg (ed.), Hirmer Verlag, Munich 2016, texts by Thomas Huber, with a conversation between Stephan Berg, Thomas Huber and Wolfgang Ullrich, format: 23 × 29 cm, 168 pages, 124 illustrations.(PDF of the publication)

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On the horizon

L'Enseigne / Das Ladenschild / The Shop Sign, 2014

Publication on the same named painting by Thomas Huber, the text by Thomas Huber refers to the painting L'Enseigne by Antoine Watteau, with a foreword by Wolfgang Ullrich, Galerie Skopia Art contemporain, Geneva (ed.), Les presses du réel, Dijon 2014, (d.,en., fr.), 84 pages, 10 ill., format: 15,4 × 9,8 cm. (PDF of the publication)

Der Rote Fries / Thomas Huber, 2014

The publication/leporello is part of the exhibition »Der Rote Fries« by Thomas Huber at the Espace EDF Bazacle as part of the Festival international d'art Toulouse (ed. of the English and French version); Thomas Huber (ed. of the German version). (Opening speech »The Red Frieze«, PDF)

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The Red Frieze

Mesdames et Messieurs. Conférences 1982–2010, 2012

French translated texts by Thomas Huber with a foreword by Stefan Kunz, Mamco (ed.), Geneva, 656 pages, 223 colour illustrations, size: 24 × 17 cm.

Postsache Huberville, 2011

Werner Meyer, Göppingen; Susanne Pfleger, Wolfsburg (ed.), Contributions by Thomas Huber & Henning Rickmann, afterword by Wolfgang Ullrich, Verlag der Buchhandlung Walther König, Cologne, 80 pages, 55 colour illustrations, format: 16,8 × 23,4 cm.

Thomas Huber präsentiert Benedikt Huber, 2010

Thomas Huber presents Benedikt Huber, Gerhard Theewen (ed.), Salon Verlag, Cologne, 2010, 60 pages, colour cover by Thomas Huber, format: 21 × 29,5 cm, special edition: 200 copies with a loosely enclosed, signed and numbered colour offset print (9,5 × 9,5 cm).

Thomas Huber, rauten traurig – la langueur des losanges – sad facets, 2008

Facsimile edition of a sketch book, MARTa Herford; Kunsthalle Tübingen, and Musée d´Art Contemporain de Nîmes (ed.), Kerber Verlag, Nuremberg, (de/fr/en), 128 pages, 64 colour illustrations, format: 21,5 × 30 cm.

Thomas Huber, rauten traurig, 2008

(sad facets), MARTa Herford; Kunsthalle Tübingen; Musée d'Art Contemporain de Nîmes (ed.), Kerber Verlag, Bielefeld, (de/fr/en), 96 pages, format: 23,9 x 17 cm.

Vier Bilder, 2007

(Four Paintings), un sur quatre / deux sur quatre / trois sur quatre / quatre sur quatre, one of four / two of four / three of four / four of four, eins von vier / zwei von vier / drei von vier / vier von vier, Banque Pictet (ed.), Genf, (fr/en/de) 36 pages, 14 colour illustrations, format: 27 × 20 cm.

Das Kabinett der Bilder, 2004

(Cabinet of Paintings), Aargauer Kunsthaus, Aarau, Beat Wismer (ed.), Publisher: Lars Müller Publishers, Baden, 288 pages, 296 colour illustrations, format: 23,5 × 20 cm. The Dutch edition has an appendix in Dutch.

Die Bibliothek in Aarau, 2003

(The Library in Aarau), Aargauer Kunsthaus (ed.), Aarau, (Schriften zur Aargauischen Kunstsammlung), Publisher: Lars Müller Publishers, Baden, 31 pages, 15 illustrations, format: 27 × 16,7 cm. (PDF of the publication)

Huberville, Sonnez les matines, 2003

(Huberville, The Peal of Bells), Fonds régional d’art contemporain des Pays de la Loire (ed.), Carquefou, 2003, (fr), fold-out map, 16 illustrations, double-sided printing, format: 60 × 80 cm, folded: 20 × 10 cm.

Halle, 2002

(Hall), Fonds régional d’art contemporain de Franche-Comté (ed.), Dole, (de/fr), 120 pages, 30 colour illustrations, format: 21 × 15 cm. (PDF der Publikation)

Die Bühne – La scène, 2001

(The Stage), Reiner Speck; Gerhard Theewen (ed.), Salon Verlag, Cologne, (de/fr), 32 pages, 1 illustration, format: 16,8 × 12 cm.

Künstlermuseum, 2001

(Artists Museum), Bogomir Ecker/Thomas Huber. Künstlermuseum, Jean-Hubert Martin (ed.), museum kunst palast, Düsseldorf, 208 pages, 203 illustrations, format: 26 × 21,2 cm.

Glockenläuten – Sonnez les matines, 2000

Palais des Beaux-Arts, Brussels; Helmhaus Zurich; Städtische Galerie Wolfsburg (ed.), (de/fr/en), 128 pages, 108 colour illustrations, format: 24,5 × 30,7 cm. (PDF of the publication)

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The Peal of the Bells

Größenphantasie und Kreativität, 1999

Hartmut Kraft (ed.), with a visual contribution by Thomas Huber, Salon Verlag, Cologne, (de/en), 91 pages, 16 illustrations, format: 22,5 × 11,8 cm.

Bilder schlafen, 1998

(Paintings Sleep), Galerie Philomene Magers (ed.), Bonn, Salon Verlag, Cologne, 120 pages, 17 b/w and 12 colour illustrations, format: 21 × 13,5 cm. (PDF of the publication)

Schauplatz, 1998

(Viewing Place), Kunstverein für die Rheinlande and Westfalen (ed.), Düsseldorf, Publisher: Richter Verlag, Düsseldorf, offset print, 116 pages, 98 colour illustrations and a loose fanfold with a panorama view of the city Huberville, format: 23,5 × 16 cm. (PDF of the publication)
(Opening speech »Die Malerei als Einstiegsdroge für den Computer?«)

Die Kunsthochschule. Eine Satire, 1997

(The Art School. A Satire), Hochschule für Bildende Künste Braunschweig (ed.), 24 pages, 1 illustration, format: 21 × 12 cm. (PDF of the publication)

Bildanschauung – Arrêt sur l’image, 1996

(Looking at Pictures), Musée cantonal des Beaux-Arts de Lausanne (ed.), Publisher: Jürgen Häusser, Darmstadt, de./fr., 88 pages, 36 illustrations, format: 20 × 15 cm. (PDF der Publikation)

Ideale Bildtemperatur, 1994

(Ideal Painting Temperature), Kunstverein Braunschweig (ed.), Verlag Jürgen Häusser, Darmstadt, 80 pages, 78 illustrations, format: 21 × 14,9 cm.

Meine Damen und Herren, 1994

(Ladies and Gentlemen), Galerie Philomene Magers (ed.), Cologne, 32 pages, 4 colour illustrations, format: 21 × 14,7 cm.(Text »Der Bildraum«)

Das Studio, 1993

(The Studio), Stadtsparkasse Düsseldorf (ed.), Verlag Jürgen Häusser, Darmstadt, 32 pages, 15 illustrations, format: 24 × 16,5 cm. (Text »Der Künstler in seinem Studio«)

am Anfang, 1993

(In the Beginning), Inaugural address as professor at the Hochschule für Bildende Künste (College of Visual Arts) Braunschweig, Hochschule für Bildende Künste Braunschweig (ed.), edition »Die Blaue Reihe«, 14 pages, without illustrations, format: 21 × 14 cm.

Das Bild. Texte 1980–1992, 1992

(The Picture. Texts 1980–1992), Kestner-Gesellschaft, Hanover; Carl Haenlein (ed.), 336 pages, 3 b/w illustrations, 20 colour illustrations, format: 23 × 15,3 cm.

Die Bank – Eine Wertvorstellung, 1992

(The Bank – a Representation of Value), Transcription of a talk on aesthetic economy, Galerie Philomene Magers (ed.), Bonn, Verlag Jürgen Häusser, Darmstadt, 32 pages, 4 illustrations, format: 17 × 24 cm. (PDF zur Publikation)

Der Duft des Geldes, 1992

(The Scent of Money), Centraal Museum Utrecht; Kestner-Gesellschaft Hanover; Kunsthaus Zurich (ed.), Verlag Jürgen Häusser, Darmstadt, 160 pages, 84 illustrations, 32 reference illustrations, format: 19,3 × 15,8 cm.

Familienbildnisse, 1992

(Family Paintings), Album with Eleven Paintings, Hessisches Landesmuseum Darmstadt, Edition Beckers (ed.), Verlag Jürgen Häusser, Darmstadt, 24 pages, 14 illustrations, format: 25,7 × 18,4 cm. (»Der erotische Blick«, PDF)

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The Wedding Celebration

Rede in der Schule, 1992

(Talk in the School), Hessisches Landesmuseum Darmstadt; Beckers, Darmstadt (ed.), Verlag Jürgen Häusser, Darmstadt, 56 pages, 53 illustrations, format: 25,7 × 18,5 cm.

BOEKEN BOOKS, 1991

Stedelijk Van Abbemuseum (ed.), Eindhoven, nl./en., 60 pages, 19 b/w illustrations, 5 colour illustrations, format: 17 × 12 cm.
»La promesse« (PDF)
»La prophétie de la perfection« (PDF)

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Books

Thomas Huber in München, 1991

(Thomas Huber in Munich), Publication series from the Akademie der Bildenden Künste (Academy of Fine Arts) Munich (ed.), Band 4, 42 pages, 6 illustrations, format: 21 × 13,2 cm.

An die Studenten der Kunstakademie München, 1990

(To the Students of the Academy of Arts in Munich), Thomas Huber (ed.), 24 pages, format: 21 × 14.7 cm, number of copies: 100 (first edition).

Die Bibliothek, 1990

(The Library), Kunstraum München (ed.), 192 pages, 73 illustrations, format: 23 × 15,3 cm. The following publication has been printed and disappeared completely from the publisher: »Die Bibliothek«, Verlag Brinkschulte, Berlin, 1988, 162 pp, 109 Abb., 3000 copies., format 25 × 17,5 cm. (PDF of the publication)

Die Post, 1990

(The Post Office), Edition: Galerie Akinci, Amsterdam / Galerie Philomene Magers (ed.), Bonn, 30 pages with 17 illustrations, format: 29,5 × 38 cm. (PDF der Publikation)

Am Abend, 1989

(In the Evening), Edition: Galerie Philomene Magers, Bonn, text sheet: Thomas Huber: »Am Abend«, portfolio with 7 motifs, silkscreen passepartout cardboard, printer: Michel, Düsseldorf, number of copies: 25, signed and numbered, 61,5 × 44 × 3 cm, pageformat: 59,5 × 42 cm.

Opus und Lagerbestände, 1988

(Opus and Storeroom Stock), Philomene Magers (ed.), Bonn, 24 pages, 11 illustrations, format: 20,5 × 20,5 cm.

Ein öffentliches Bad für Münster, 1987

(A Public Bath for Münster), Galerie Philomene Magers (ed.), Bonn, 40 pages, 12 illustrations, format: 22,4 × 15,5 cm.

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A Public Bath for Münster

Die Urgeschichte der Bilder – La préhistoire des tableaux, 1987

(The Primeval History of Paintings), Museum für Gegenwartskunst Basel (ed.), de./fr., 80 pages, 30 colour illustrations., 22 b/w illustrations, format: 29,6 × 22 cm.

Wasser, Salz und Bilder, 1987

(Water, Salt, and Paintings), Galerie Michael Horbach (ed.), Cologne, 44 pages, 6 colour illustrations and 18 b/w illustrations, format: 14 × 26 cm. (PDF of the publication)

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Water, Salt and Paintings

Rede in der Schule, 1986

(Talk in the School), Vista Point, Cologne, 34 pages, 24 illustrations and 20 slides, format: 21 × 14 cm. (PDF of the publication)

Der Besuch im Atelier, 1985

(The Visit to the Studio), Galerie Philomene Magers (ed.), Bonn, Publisher: Walther König, Cologne, 40 pages, 27 illustrations, format: 19 × 11,9 cm. (PDF of the publication)

Zur ausführlichen Erläuterung vorgeführt in Wort und Bild. Die Konstruktionen Skizzen Sätze zu Thomas Hubers Rede in der Schule, 1984

(For an Extensive Explanation, illustrated in words and images. The planning sketches, sentences on Thomas Huber) Edition: Bonner Kunstverein (ed.), Publisher: Walther König, Cologne, 58 pages, 37 illustrations, format: 14 × 21 cm.